Monday, May 31, 2010
Sunday, May 30, 2010
Heron: Upon Reflection, The Dawn Anthology 1970-71

This is one of my favorite bands of all time. They made 2 albums on Dawn Records in 1970 and 1971. Here are those records with bonus outtakes. The first part is mostly acoustic, the second brings in a full band. I'd say they sound like The Kinks, Nick Drake and The Velvet Underground all wrapped in one. $$$$$
Saturday, May 29, 2010
Tuesday, May 25, 2010
Nirvana (UK): Local Anaesthetic 1972

The group were in the school of baroque-flavoured, melodic pop-rock music typified by the Beach Boys of Pet Sounds and God Only Knows, the Zombies of Odessey and Oracle and Time Of The Season, the Procol Harum of A Whiter Shade of Pale, the Moody Blues of Days of Future Passed and Nights in White Satin and the Kinks of Waterloo Sunset and Love Forever Changes. The majority of the tracks on Nirvana's albums fell into that broad genre of contemporary popular music, not easily categorized but perhaps best described as the baroque or chamber strand of "progressive rock, soft rock or "orchestral pop" and " Chamber Pop". (wiki)
Monday, May 24, 2010
The Del Vikings: The Swinging, Singing Record Session 1958

The Del-Vikings, also known as The Dell-Vikings (the name was variously spelled with and without the hyphen), are an American doo-wop musical group, who recorded several hit singles in the 1950s, and continued to record and tour with various lineups in later decades. The group was notable for being one of the few racially integrated musical groups to attain success in the 1950s. (wiki)
Fairport Convention: Babbacombe Lee 1971
Saturday, May 15, 2010
Thursday, May 13, 2010
John Cassavetes: A Woman Under the Influence Interviews 1974
(series of interviews during the filming of "Influence")
Ofege: Try and Love 1973

The 1970s school boy musical band from St. Gregory’s College, Obalende, Ikoyi, Lagos. Nigeria’s most outstanding school boy band of all time! Largely influenced by the guitar solos of Carlos Santana, Jeff Beck, Robert Plant, Francis Rossi, and the criss-cross rhythms of Osibisa. At home they were influenced by the music of ‘BLO’ (Berkley Jones, Laolu Akins and Mike Odumosu), ‘Monomono’ (led by Joni Haastrup), The Funkees, and Ofo The Black Company. (last.fm)
Selda: Selda 1976
Wednesday, May 12, 2010
Roy Harper: Stormcock 1971
Exuma: Rude Boy 1986
Exuma: Snake 1972
Tuesday, May 11, 2010
Exuma: Exuma 1970

Exuma was known for his almost unclassifiable music; a strong mixture of carnival, junkanoo, calypso and ballad. His backing band known only as the Junk Bandhas included names such as Sally O'Brien, Bogie, Lord Wellington, Villy, Mildred Vaney, Frankie Gearing, Diana Claudia Bunea, and his good friend Peppy Castro. (wiki)
John Lennon: The Warhol Sessions & Studio Outtakes

This is a wicked rare, infamous vinyl bootleg. Most of it is from the late 70's, the "Walls & Bridges" and "Double Fantasy" sessions. I only recommend this to the hard-core Lennon fanatics! It's fuckin crazy to hear him wasted in the studio revisiting Beatles songs ("Help", "You know my name"), and it's interesting to hear how Lennon wrote music on acoustic guitar before arranging for a band. Like I said, this is for the serious Lennon-heads.. some of the tracks ("Whatever gets you through the night", "Watching the Wheels") repeat, but in an interesting way. You'll hear him mess up a lot, change feels and parts, and practice pieces of songs. It's as close as we'll ever get to sitting right next to the man in the studio. It also comes with Bonus material- unreleased jams, a few alternate Beatles takes, a spoken word free-form poem about an erection?, and a hilarious "do it again cause we got Fuck You on it" Lennon and Yoko rehearsing a radio spot. $$$$$
Vangelis: Earth 1973
Bridget St. John: Songs for the Gentle Man 1971
MGMT: Congratulations (Redux)
A while back, I wrote a scathing review of this album the day it leaked. To be honest, I wrote the damn thing delirious with the flu, and felt like hating on something to keep my mind off my delirium. I have since then listened to "Congratulations", and I still don't think it's all that. I read tons of blogs and all the popular music mags, and this friggin album is getting only stellar reviews! Well, allow me to break the trend, it's no masterpiece!! I am intrigued by a lot of qualities this band has to offer, but it's no "Zeppelin 3", nor is it hardly as good as Pavement's "Terror Twilight"-- otherwise known as the worst of the Pavement albums (I happen to like that one, but it isn't their finest hour). Here are the few tracks worth noting- "It's Working", "Someone's Missing", "Flash Delirium", "Siberian Breaks" and "Congratulations". That's five of nine songs. So basically, the MGMT kids passed my- Do you Rock or do you Suck? - test. "It's Working" is a broken collection of song-parts squashed together to sound like Phil Spector making a Surf-Rock song, or rather a 'Smurf-Rock' song, since the guy sings with a cartoony high-pitched squeal I don't even know who to compare him to. It's like he's being strangled during the recording session. It's a decent opening track. "Someone's Missing" is about two minutes in length, and captures the sound of the Jackson 5, but quickly fades out before you can really fall in love with it. "Flash Delirium" tends to be everyone's favorite, and mine too. I like The Kinks choir back-up vocals behind Andrew Van Wyngarden's "pillar of hope" Gospel leads and I like the idea of ADD Pop music, since there's about fifty changes in a four minute single. It really isn't that different from anything The Kinks put out on any of there numerous Rock Operas. "Siberian Breaks" is the twelve minute track that caught a lot of attention, I think just because it's twelve minutes long. There's some plagiarizing going on here, and I'm not gonna get into it this round, 'cause I caused a ruckus the first time I compared this shit to something, but I'll just say- they took some influence from 60's Bubblegum Rock and expanded on it. (Anyone that knows me, knows I collected the shit out of 60's Bubblegum music, from The Monkees to 1910 Fruitgum Company. Why? Because I was the only ten year old record collecting geek I knew, and the whole genre was more interesting to me than collecting baseball cards) And finally, the title-track "Congratulations" is a feel-good number, with auto-biographical lyrics, which I'm a sucker for because it's honest coming from a band that hasn't lived anything worth singing about, but all of their success off the first record- "Oracular Spectacular".
So here's my review, my opinion, and my final response to the record- it's OK. It's not marvelous, it's not an embarrassment, though a little behind the times for what was expected. I think I'm more interested in why this band is popular than the actual music. They're like the New Kids on the Block of Indie-Rock, except they're on Columbia Records with a million+ bucks pumped behind them. It's not a record I'm going to listen to much, but I'm also going to stay off the hate machine toward this band till I hear the next one. I think their third record will be the decider. Any group that grabs 'the band you love, and the band you love to hate' trophy gets my attention. So here's the link, decide for yourself.
Friday, May 7, 2010
Birthing of Millions: Birthing of Millions
Caribou: Swim

Very few have touched on legendary composer- Arthur Russell's sound. Some have tried and failed, but most bands stay away from his thing, as it's so unique and personal. This is the first album I've ever heard to utilize his influence in a clever, but original way. The soft, gentle vocals are similar to Russell's, while the music moves forward from Caribou's last album. It's not a gigantic leap from the previous record instrumentally, but a step in the right direction for what I like. Caribou's music is so different, so peculiar, I suggest NOT buying the records in chronological order, and starting from new to old. I think "Swim" is by far, the best.
Talking to Walls: We were not so tall

For those who got stuck in-between the 80's and 90's; wearing converse and a corduroy blazer to Counting Crows shows- Talking to Walls is the next band on your list to buy. This is the sound of Rock and Roll when bands actually had to have talent to make a record. Talking to Walls are fairly new, but I would guess a major label snatched them up by now, after listening to the new album- "We were not so tall". They're similar in spirit to the Hold Steady or the National, but they have their own 'thing', as I wouldn't put them in a direct comparison to a band like the Counting Crows, but their sound spreads out all over the spectrum of college radio beer-bong Rock, from The Replacements to Crowded House. Songs like "Came to you" and "Tomorrow" start off with a New Wave vibe and turn into something more- Bruce Springsteen "The River".
This is great music to cruise to, yer slightly buzzed, or just reminiscing about the good old college days.
Betty Davis: 1973

"Davis moved to Los Angeles in order to record with Santana but soon changed her focus and with help from Greg Errico (of Sly & The Family Stone), assembled a rich list of veteran musicians to record her own material. These included Neal Schon (of Santana), Larry Graham and several other members of Graham Central Station, as well as Sylvester and The Pointer Sisters" (wiki)
Thursday, May 6, 2010
Betty Davis: Is it Love or Desire 1976, released in 2009

"4th studio album recorded in 1976, re-titled as Is It Love or Desire? (the original title was Crashin' From Passion). Both reissues contained extensive liner notes and shed some light on the mystery of why her 4th album, considered possibly to be her best work by many members of her band, was shelved by the record label and remained unreleased for 33 years." (wiki)
Tuesday, May 4, 2010
Joel Phelps & The Downer Trio: Live KEXP 2003
The Archies: Jingle Jangle 1969
Monday, May 3, 2010
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